This moving, elegantly orchestrated exhibition of work by the Dutch-born, Los Angeles–based artist Bas Jan Ader (1942–75) is a lens trained on the California of the late 1960s through the mid-’70s, when the state was still a place for cultural renegades. The intimate scale of the work and its casual production stand as antidotes to the pervasive, large-is-more aesthetic of today’s increasingly commercialized artworks. While this presentation is not exactly spare, it is also not fulsome, even though it shows the artist’s output in its near entirety. It includes a few restaged installations, several photographic series, and a compendium of videos that features Fall I, Los Angeles, in which Ader slowly rolls down the roof of his house into some bushes, Fall II (Amsterdam), where he rides a bicycle into a canal (both 1970), and I’m Too Sad to Tell You (1970), a close-up of Ader’s face as he bitterly weeps real or fictive tears (arguably his best-known film).

On July 9, 1975, the conceptual artist—whose mediums were photography, film, and performance art—embarked on a solo voyage across the North Atlantic to continue work on his project In Search of the Miraculous. The first part, on view here, is a poignant series of photographs that follow him—a barely visible speck—over a long night’s journey through L.A., the pictures inscribed with the lyrics from the 1957 pop song “Searchin’ ” by the Coasters. Ader was 33 at the time and never to be seen again. It was a life and death destined for myth. via ArtNews