MOMA’S FASCINATING ‘DADAGLOBE RECONSTRUCTED’ EXHIBITION DEMONSTRATES DADA’S INABILITY TO BE REALIZED
In the fall of 1920 in Paris, Tristan Tzara, poet and co-founder of Dada, embarked on an epic project to compile an anthology of works created by an international group of artists aligned with his avant-garde movement. Tzara’s goal was to print 10,000 copies of the book and call it Dadaglobe. Unfortunately, his ambition far exceeded his fundraising talents, and as a result, the project, slated for publication in 1921, never reached completion.
Tzara—with help from his friend and fellow Dadaist Francis Picabia—had written to 50 artists from 10 countries asking them to submit artworks to be considered: these could be photographic self-portraits, photographs of art, original drawings, designs for book pages, prose, poetry, and other verbal “inventions.” Over the course of the year Picabia’s apartment had become jam-packed with correspondence. via ArtNews